‘Peter Brook’s <i>Night of the Living Dead</i>’: Horror, cinema and the post-war theatre

An examination of the relationship between theatre and film that focuses on work figures associated with post-war British but whose was often understood in terms horror. In particular, it examines ways which their as shocking audiences through a confrontation repressed materials narratively staging conflicts protagonists represent conflicting ideas. other words, these stories were battles characters sought to assert domination control over adversaries, featured psychological cruelty destructiveness.